RePitch sets a new benchmark for natural vocal pitch editing. It's powerful, user - friendly, and incredibly transparent. Instantly align vocal tracks to any scale or make rapid pitch, timing, or vibrato adjustments. Connect it to VocAlign Pro 6 to tune multiple vocal layers at once, slashing hours of manual work. RePitch ensures perfectly tuned vocals without that processed sound. Thanks to Synchro Arts' advanced note - detection tech, it offers instant automatic pitch correction and a suite of manual tools for fine - tuning. Its SynchroLink technology transfers pitch and timing changes to multiple doubles in real - time, saving editing time. Developed with input from Grammy - winning pros, it makes vocal correction quicker, easier, and more seamless. Features include enhanced pitch analysis, intuitive editing tools, flexible correction options, separate editing of pitch, sibilance, and breathes, formant shifting, scale detection, a resizable GUI, SynchroLink for VocAlign Pro 6 (DAWs only), and full ARA2 support for compatible DAWs.
Using RePitch is a breeze. First, load your vocal track into your DAW. If you want to quickly snap the pitch to a scale, use the automatic pitch correction feature. It'll analyze the musical pitch and make instant adjustments. For more detailed work, switch to the manual tools where you can tweak pitch, timing, and vibrato one by one. To work with multiple vocal layers, connect RePitch to VocAlign Pro 6. This way, any changes you make in RePitch will be transferred to other doubles right away. When editing, you can separately work on pitch, sibilance, and breathes for a more customized result. As for formant shifting and scale detection, just activate the relevant functions in the interface. Make sure your DAW supports SynchroLink and ARA2 if you want to use those features. Always keep your software up - to - date to ensure smooth performance. When not in use, keep your license details safe and don't share them. And that's it, you're all set to create amazing vocal tracks with RePitch.
