Immerse Yourself in Sound
PSP auralControl, initially available as AAX for ProTools and soon to support AU & VST3, is a must - have tool for multichannel tracking, mixing, and mastering. It allows you to individually adjust the level, polarity, bandwidth, and timing of each channel in a multichannel setup.
With predefined industry - standard multichannel formats, grouping capabilities, and all features displayed on one screen, PSP auralControl saves you time in almost every surround project. Whether it's fixing imbalances in live multichannel stems, solving issues with multichannel reverb tracks, or fine - tuning channel levels and timing, it offers straightforward solutions.
Designed to simplify your audio work, this plug - in was inspired by Thor Fienberg. Let's explore its typical uses:
Typical Uses
- Re - balance multichannel stems effortlessly.
- Monitor multichannel buses with peak meters, and mute or solo channels as needed, like checking SIDEs on a multichannel reverb send.
- Control gain on multichannel buses, such as adjusting REAR levels on effect sends or reducing LFE.
- Perform simple multichannel operations with direct access to HPF and LPF filters, for example, filtering LFE or getting 'air' on TOPs.
- Execute advanced effect operations, set unique depths for multichannel mixes, and create a full - sounding multichannel reverb.
- Do advanced level riding with channel groups and relative or reversed linking.
- Process Mid - Side of Stereo tracks.
Features
- Level control faders with Peak Meters on each channel.
- Adjustable Delay Time, High - Pass, and Low - Pass Filters.
- Mute and Solo buttons on each channel.
- Control parameters in predefined or custom groups or individually for each channel.
- Support for industry - standard multichannel formats from 2 - channel to 7.1.2.
Using PSP AuralControl is easy. First, when you start a multichannel project, select the appropriate predefined multichannel format. This will set up the basic structure for your channels. For each channel, you can use the level control faders with peak meters to adjust the volume. You can also use the mute and solo buttons to quickly isolate or silence a channel. When it comes to frequency adjustments, use the high - pass and low - pass filters. For example, if you want to remove low - frequency noise from a channel, use the high - pass filter. If you want to limit the high - frequency content, use the low - pass filter. For advanced users, the delay time adjustment and the grouping capabilities offer more flexibility. You can create unique multichannel effects by setting different delays for each channel group. As for maintenance, make sure your audio software is up - to - date to ensure compatibility. Also, keep your system clean from excessive junk files and viruses to avoid any glitches while using the plug - in. If you encounter any problems, refer to the official documentation or contact the support team.
